![]() ![]() Easy Access: Whether you're on your tablet, phone, or computer, your music is just a tap away.ģ. You can trust the notes to be on point.Ģ. Quality Assurance: You're getting the real deal, not some half-baked version. ![]() Oh, and a quick heads up on why buying licensed digital sheet music rocks:ġ. So, after you've made it yours, don't forget to swing by the admin area if you're feeling like tweaking the key to your taste. Now, if you're thinking of getting your hands on the music, here's the deal: when you make that purchase, it's gonna land in your library in the original key. This cool feature lets you mess around with the song's key, shifting it up or down by about 3 semitones from its starting point. If it's lighting up in bright white, it's your cue to give it a click. The whole playlist is an hour so it makes a great practice session to play all that lot.Ever wondered if you can play "Emily (from The Americanization of Emily)" by Bill Evans in a different key? Here's the lowdown: Search for the little notes symbol chillin' at the bottom of the sheet music. Right, I’m off to remind myself how to play them all. Someone must have put words to it somewhere? Maybe it’s just because I’ve heard it a lot, but it the whole solo sounds like a song. The phrasing is the thing, and how they mess around with the barlines/rhythm.Ī total classic. ![]() Also interesting for when they were done and how they were done – will do that soon. They deserve an entire blog post really as there’s so much in them. I think this and East Thirty-Second are my favourite ‘8th-notey’ solos ever. I love this trio and this album and this tune! This Bernstein solo is a classic so relaxed and melodic. Check out these Eddie Harris tracks too: Is It In and Cryin’ Blues It’s Eddie Harris that does it for me on this track Scofield is no slouch either! The feel Eddie gets is great as well as how he can seem to split ideas up and carry them on at the same time. And I love the way Elvin Jones starts every new chorus after the vamp. Also I like the trance-like intensity of it. The tune is based on How High The Moon and Coltrane uses his giant steps cycle thing on it, but in a way that’s more interesting to play over than Giant Steps. There’s so much to like in Benson’s playing but one of the things that grabs me about the way he plays on this album is how energetically he plays. Again, the whole record is classic as is the other record from this period. Also, the arrangement and ensemble playing are great too.īenson shredding right from the off here. The feel he gets is so powerful he really lays into it. I first heard about this solo because Jim Hall mentions it as being one of his favourites. The Hotlicks DVDs she made were great too.Ĭharlie Christian – Boy Meets Goy (Grand Slam) The CD that this is from, East To Wes, is a classic every track’s a winner. Emily plays the tune with harmonics and octaves, and plays an utterly burning solo full of triplety goodness. We play phrases from Parker’s solo and improvise in-between them.Įmily Remler – Softly As In A Morning Sunrise I made an album with Martin Speake and we used the solo on this track. He sounds so lyrical and free on it every phrase is perfect. Parker’s solo on this is just incredible. If you’re lucky enough to live in a country where Spotify works you can click on the link to hear the playlist: Now that I’ve compiled the playlist I can think of many other solos that are equally great but this 10 will have to do. Here are 10 random solos that I really like. ![]()
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